In bold colors and vivid relief, it illustrates her talent for radical reinvention. The widest ranging of any of her covers collections yet, Covers pushes beyond the habitual melancholy that has marked much of her work. Long before indie rock’s cloistered scene had given way to a more diverse and dynamic landscape, Marshall reminded her listeners that life didn’t begin with the Velvet Underground (even though she covered them too). Her choices can be canonical or idiosyncratic: She’s tackled Duke Ellington, Bob Dylan, and Billie Holiday, but also Liza Minelli, Creedence Clearwater Revival, and Ca$h Money rappers Hot Boys. And there are many: In addition to what are now three collections of cover songs, with the arrival of her latest album, Covers, most of her releases contain at least one song made famous by another singer. ![]() Even her most radical reinterpretations feel tender, searching, and, above all, thoughtful. ![]() To render a song so unrecognizable can appear irreverent, but Marshall has never come off as ironic or trolling.
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